Archives for : March2016

Batman v Superman: Dawn of Justice – A Plot Analysis


Last night, I was able to see one of the biggest movies of 2016 – Batman v Superman: Dawn of Justice and decided to write this review to voice my opinion on the film.

Keep in mind that I will be discussing key moments from the film, plot points, cameos and more, so SPOILER WARNING!

Last chance to stop reading to avoid spoilers … Ok, so let’s get right into it.

The movie begins with a retelling of Batman’s origin, which anyone who has seen any Batman movie, TV show, animated feature, video game, etc. is very familiar with. After a night out seeing a movie or the theatre (it differs), young Bruce Wayne leaves the performance with his parents, Martha and Thomas Wayne. They are robbed a gunpoint, Martha Wayne’s pearls drop (which are CGI for some reason in this movie), and Bruce Wayne is left as an orphan. Then, after the funeral, Bruce falls into a cave nearby his house and encounters bats. Thus, he becomes Batman.

Most people know Batman’s origin, and in a movie that was – and not to mention felt – long, it could have been cut out and started from Bruce Wayne’s perspective during the events on 2013’s Man of Steel. Long-time readers of my blog know how I felt about that movie (you can read my review here), as I had many issues about the world that had been created, especially how Zod got his powers so quickly, and Superman not protecting people during the final battle.

There was a lot of outcry about this after Man of Steel was released, so it gets addressed. A lot. Numerous characters make point-blank statements that wherever a superhero battle is happening, the locations are abandoned, empty, or in one hilariously bizarre case, after-business-hours, so the office towers were “mostly empty.” There is even a whole subplot in the movie about Superman being held accountable for his actions, and he even attends a Senate sub-committee meeting to defend his actions. But, that’s getting ahead of myself.

After Bruce’s origin story, we see Bruce Wayne fly to Metropolis in a helicopter and try to save people from Zod and the ensuing battle. Bruce was rightfully angry when Superman and Zod destroy countless buildings (including the Wayne Financial building), injure others and kill a lot of people. This sets the stage for the primary conflict for Batman.

And then we cut to 18 months later.

We learn quickly that Bruce Wayne sees Superman’s power as too much for one being not of this Earth (read: alien), and that he could destroy everyone without a thought. So, he decided to find enough Kryptonite to kill Superman if necessary.

This started him on a collision course with Lex Luthor (played by a manic Nicholas Cage-level insanity by Jesse Eisenberg, who just got annoying in the role), who happened to be trying to import a massive batch of Kryptonite into the States, but was blocked by the very Senator leading the Senate committee mentioned above – how convenient!

To locate the shipment, Wayne went to a party held by Lex to steal the information, where he met Clark Kent and a mysterious woman who stole the stolen data from Bruce. At another event, he met the woman again, got the drive back and decrypted the information.

Meanwhile, Clark was worried about not being able to help everyone, but goes on being a God among men and saving Lois (who, as always, has a knack for getting into danger and needing saving). While Superman attended the Senate hearing, a bomb went off (thanks to Lex) killing everyone and Superman goes into hiding because he was ashamed. In this film, Lois was relegated to her own subplot about mysterious bullets that were made by LexCorp and worrying about Clark when he disappeared.

Bruce found the Kryptonite thanks to the drive (as well as other information I’ll get to later), and tried to steal it from Lex. He failed due to intervention from Superman and they had a staring contest.

While this is happening, Lex made a deal to get access to the Kryptonian ship from Man of Steel and Zod’s body. I’m still not entirely sure what he did, but he somehow used Zod’s fingerprints to become the new commander of the ship, and used a glowing yellow pool (called a Genesis pool?) to combine his DNA and Zod’s to create an “abomination”.

Bruce then successfully stole the Kryptonite rock from Lex and made some weapons, including a spear and gas grenades, for his eventual fight with Superman. As for the armoured suit in the trailer (inspired by the Frank Miller comic The Dark Knight Returns)? I was hoping we’d be able to see Bruce build it to try and compensate for the massive strength differential between the two, but no such luck.

Lex then kidnapped Lois, threw her off a building to lure Superman, and told Superman that he wanted Batman dead. Superman said he wouldn’t kill him, and Lex said that he kidnapped Clark’s mother (Martha Kent), and would kill her in an hour if Superman didn’t bring Lex the head of Batman. So, Superman flew off to gets Batman’s help.

Batman, on the other hand, was all decked out for war against Superman and didn’t let him explain the situation. So, they fought. Batman used Kryptonite gas to weaken Superman so he could get a few licks in, but Superman recovered and pummeled Batman. So, Batman used more gas and got him stunned enough to, after some bizarre CGI grapple gun antics, got him underfoot and about to be gutted with the Kryptonite spear.

Superman said to “find Martha” and “save Martha,” and Batman lost his mind (as that was his mother’s name – and where I think the flashback to the night Bruce’s parents were murdered would have been PERFECT), and then Lois rushed in to tell the truth to Batman about Martha Kent.

Batman threw the spear away and promised to rescue Superman’s mom (which he did), and Superman promised to find Lex Luthor (which he did). But not before the cocoon Lex created in the Kryptonian ship hatched and, in some terrible green screen CGI work, emerged Doomsday.

In the comics and cartoons, Doomsday was a creature bred and evolved to be the perfect killer. And every time he “died,” he would be resurrected and could not be killed that way again.

Anyway, Doomsday was quickly attacked by the US military and survived. So, Clark fought Doomsday and lost quickly. Batman went to help and also had trouble. Then, the mysterious woman Bruce Wayne met earlier appeared as Wonder Woman (and in my opinion, the best part of the movie), and she helped. Superman tackled Doomsday and flew into space, and the US nuked the both. Doomsday fell to Earth and regenerated into something deadlier, and Superman spent some time soaking up the sun’s rays before he rejoined Wonder Woman in the fight.

Lois grabbed the spear from before, but almost drowned in retrieving it. So Superman abandoned the fight, saved her, and flew with the Kryptonite spear and stabbed Doomsday. In his death throes, Doomsday stabbed Superman in the chest and they both died.

Superman was given a very public military funeral and Clark Kent was buried in Smallville (where he grew up) with Bruce Wayne and Diana Prince (Wonder Woman’s alter-ego) in attendance and they quickly teased the formation of the Justice League. And, Lex Luthor was in jail and visited by a very angry Batman. Lex, seemingly out of his mind, ominously said that something worse is coming – also teasing the eventual “big bad” of the upcoming Justice League movies.

A few things:

– Batman had a “vision” of an apocalyptic future, teasing the bad guy in the future Justice League movie (which looks to be the villain, Darkseid), as well as a visit from “Future Flash” warning him of what is coming in that future movie and to “get them together.”

– Inside Lex’s drive stolen by Batman and Wonder Woman, there were files on other metahumans, including videos showcasing the future Justice League members – the Flash stopping a mugging, Wonder Woman all over the world (and a photo from the early 1900s), Aquaman fighting off a submersible, and Cyborg being turned from a man into a machine.

Ok DC and Warner Brothers – we get it. You have a Justice League movie coming out and are trying to build a DC Cinematic Universe, but the film was overstuffed already with Batman, Superman and Wonder Woman. These extraneous cameos for characters we won’t see for a while, and won’t have their own movies for years, were obvious and wastes of time.

The Marvel Cinematic Universe had movies introducing single characters in their own movies before building up to the big team-up in Avengers, followed by more individual movies culminating in Avengers: Age of Ultron. They had years and years to build up the world and the characters before putting them all together. That is why it worked.

Teases and looks at what will be coming are good, but not at the expense of the film you are trying to make.

But what did I think of the movie overall?

Well, the movie was ok. I wasn’t a big fan of Man of Steel, so I wasn’t anticipating this movie to be fantastic. Unlike other superhero movies, I’m not in a rush to see it again, as it wasn’t exciting, it was overly long, and the effects were less than optimal. The dream sequences were awkwardly placed, Batman’s origin was redone … again, and the reasons for fighting (Batman thought Superman was too powerful and Superman thought Batman crossed the line) changed because Lex kidnaps Superman’s mom. Therefore, Batman and Superman fight because of a misunderstanding. It’s not the be-all, end-all brawl that everyone and the trailers and marketing were suggesting.

Honestly, it seems like after Man of Steel, DC and Warner Brothers decided to make Superman and Batman fight, and reverse-engineered a reason why.

But, there were some enjoyable parts in the movie. The action sequences were mostly good, as long as they didn’t get too CGI-heavy, and Wonder Woman fighting looked great. But that was about it.

Batman v Superman: Dawn of Justice will make a lot of money, but I don’t think it will make nearly as much as DC and Warner Brothers would like. And maybe they will learn their lesson. But, with Wonder Woman already  filmed and The Justice League Part 1 shooting now, who knows what will happen. I had hoped they would learn their lesson three years ago from Man of Steel

Musical Mayhem

It is rare in your life that you can point to a specific moment, place or item that first introduced you to a topic. More often than not, it results in a vague “I read it in a book” or “from a friend” or something along those lines. But every now and then, there is a singular moment that sticks out in your mind like a Post-It in a textbook – one precise moment that you can point to and say with absolute certainty that it introduced you to a wider world.

For me, it was the wider world of music. And what introduced me was what some may call an unusual medium – video games.

I was never big into music other than what my parents would listen to on the radio whenever we went for a drive, and classical music was always fallen asleep to in the back of the car. I appreciated music, the beat, etc. But I never gave it much mind, except for musical theatre (which long-time readers know that I acted in when I was a child and still love).

Case-in-point: My favourite song when I was a kid?

“La Bamba” by Ritchie Valens!

But that all changed on November 21, 1998 when I was in Grade 9.

A Legend was Born

In 1998, I had just started high school and my mind was slowly being expanded to the wider world around me. And, as luck would have it, two years earlier, my brother and I had bought a Nintendo 64 gaming system and were enjoying it. And in November 1998, what may people – myself included – believe the seminal game of that system (and all-time) released. The Legend of Zelda: Ocarina of Time.

I had never really played any other Legend of Zelda games prior to this one, but the hype and advance reviews in magazines was extremely positive. So, my brother and I reserved the game and got our mom to pick it up while we were in school, so that we could play it that night. And now, over 18 years later, it is still my favourite video game ever.

But what made it so special?

Well, the story was simple but engaging: A forest boy engages on a quest to right some wrongs, and meets a princess who was kidnapped. This boy (Link) rushes to rescue the princess (Zelda) from the bad guy (Ganon), but ends up traveling seven years into the future so that he is strong enough to defeat him.

The graphics were amazing and the characters were memorable (who can forget the movement of King Zora or the dance of the King goron, Darunia, when you play him a certain song?

The Music Makes the Man

I could talk about the gameplay mechanics, the different levels (such as the exceedingly complex water temple), the fun plot twists, or why you simply must get the Biggorn Sword as soon as you can, but the real hook – pun intended for those who know the game – was the music.

In the game, music plays an extremely important part. Near the beginning of the game, you are given an ocarina by Princess Zelda, which is a handheld wind flute. And throughout the game, probably other than your sword and shield, is your most used item.

Music within this game allows you to win others trust, gain entrance to new areas, change the game world, teleport around the map, and even change time. And all the music is different, and all modeled after different musical styles.

Do you know what a Minuet is? Or how about a Bolero? A Nocturne? A Requiem?

All of these are songs within the game and are works of art. Just sit back, relax, and listen to the audio brilliance.

I would find myself humming the Bolero of Fire in class, or walking home from school and trying to remember all the songs for when I got home. I still remember those songs to this day, and for some, even the inputs on the controller you had to use to play them.

And in so doing, this video game not only brought me hours and hours on enjoyment, but served as an introduction to the world of music, and bolstered my appreciation of classical and international compositions.And what more could you ask?

Oh, and in case you were wondering, according to the Oxford Dictionary:

MInuetA slow, stately ballroom dance for two in triple time, popular especially in the 18th century.

BoleroA slow, stately ballroom dance for two in triple time, popular especially in the 18th century.

NocturneA short composition of a romantic or dreamy character suggestive of night, typically for piano.

Requiem – A Mass for the repose of the souls of the dead.